I wasn’t allowed to play in some universities in the United States and out of twenty-five concerts, twenty-three were cancelled unless I would substitute my black bass player for my old white bass player, which I wouldn’t do. They wouldn’t let us go on with Gene [Wright] and I wouldn’t go on without him. So there was a stalemate and [we were] in a gymnasium, a big basketball arena on a big campus. And the kids were starting to riot upstairs. So the President of the school had things pushing him from every side: The kids stamping on the floor upstairs, me refusing to go on unless I could go on with my black bass player.
So we just stalled and the bus driver came and said, “Dave, hold out. Don’t go on. The president is talking to the governor and I think things are going your way.” And the Governor says, “You’d better let them go on.” So we held on and the president of the college came in and he said, “Now you can go on with the understanding that you’ll keep Eugene Wright in the background where he can’t be seen too well.” And I told Eugene, “Your microphone is off and I want you to use my announcement microphone so you gotta come in front of the band to play your solo.” Well the audience went crazy. We integrated the school that night. The kids wanted it; the President wanted it; the teachers wanted it. The President of the college knew he might lose his funding from the state. So here’s the reason you fight is for the truth to come out and people to look at it. Nobody was against my black bass player. They cheered him like he was the greatest thing that ever happened for the students. Everybody was happy. My point is those students had hired me in twenty-five universities. And twenty-three had to cancel because of what they thought they would lose from the state government. But they wouldn’t lose it. We went back and played all of those schools in a few years. And we’ve had a lot of terrible things happen to us while we’re fighting to have equality - police escorts from the airport to the university, or where I wouldn’t go on [stage] until the blacks could come in or [until they] didn’t have to sit in the balcony. I wouldn’t play until they were in the front row. You gradually stop all these ridiculous old rules that nobody really believes in.